OHIO SIDERS FAMILY CASE: UNEXPECTED POLICE SEARCH LEADS TO DISCOVERY OF CHILDREN HIDDEN FROM PUBLIC VIEW HAMDEN, Ohio (AP) — Sixteen children from the same family who were rescued from a dilapidated home in rural Ohio were living in wretched conditions with human waste all around, confined to just one room over much of the past four years, authorities said Wednesday.
Some of the children discovered Tuesday were unable to speak and one — an 18-year-old who was developmentally disabled — could not even write her name, investigators said.
“Most of our livestock was kept in better conditions than the children,” said Vinton County Sheriff Ryan Cain. “Just a disgusting scene.”
The children’s parents and two grandparents were charged with felony child endangerment, a prosecutor said.
Authorities found the children while carrying out a search warrant in an unrelated investigation, Ohio Attorney General Andy Wilson said Wednesday at a news conference.
Officials said it seemed as if no one outside the family knew about the children, who weren’t enrolled in school.
“We didn’t know there were going to be 16 kids there,” said Wilson, who was nearly at a loss for words in describing what officials found in the tiny village of Hamden that sits in one of Ohio’s poorest counties.
“It’s the type of thing that we’re not used to seeing here in America,” he said.
Rescued children looked like ‘feral animals’
The sheriff said it appears the children spent most of their time in a room that was roughly 12 feet by 12 feet (3.5 meters by 3.5 meters). He didn’t disclose how the kids were kept inside the home, but said authorities didn’t find any cages in the house.
The children ranged in age from 1 1/2 years to 18 years old and included both boys and girls, officials said. Seven were transported to hospitals in Columbus and two were flown by helicopter. One was in critical condition on Tuesday while some of the others were admitted for care, Wilson said.
“They looked like almost feral animals,” Wilson said. “It was terrible.”
The children were in temporary custody of the Ohio Department of Jobs and Family Services.
Vinton County prosecuting attorney William Archer said the four adults were charged with second-degree felony child endangering because it involves “serious physical harm.”
Gary Siders Jr., Gary Siders Sr., Christina Siders and Elizabeth Siders appeared in court Wednesday where a judge entered not guilty pleas on their behalf and set bond at $300,000 for each. They have not yet been assigned lawyers.
Steve Irwin, a spokesperson for the attorney general’s office, would not say whether all of the children are siblings or how they were related.
Neighbor saw ‘no kids at all’
The house where the children were found sits on a road tucked away alongside a steep railroad embankment, where tracks carry rumbling trains through Hamden. The closest neighbors are separated by trees and thick brush, but the house is easily visible from the road.
An open door revealed bits of trash inside while a wooden deck and the backyard were filled with discarded tires, a high chair and other debris.
Investigators said members of the family had moved around southern Ohio over the past two decades and that it looks like they avoided setting up medical and government records.
“These folks were pretty good at hiding these kids,” Wilson said.
Investigators were reviewing whether the family was reported to any children’s services agencies in the past.
Neighbor Joseph Stewart, 60, said he saw “no kids at all” since the family moved in three houses down and that he could clearly see the house and yard when passing by.
“It’s a sad situation,” he said. Stewart has lived on the street for six years and called it “a quiet neighborhood.”
On Wednesday, the home’s doors and windows stood open to the sweltering heat. A tangle of discarded children’s items — two busted bicycles, a plastic play table, a beach pail and two infant carriers — stood in a pile in the yard.
Hamden has a population of less than 1,000 people and is about 60 miles (97 kilometers) southeast of Columbus.
The discovery of the children is reminiscent of past horrific cases of family 𝘢bu𝘴e.
In 2019, David and Louise Turpin pleaded guilty to torture and years of 𝘢bu𝘴e that included shackling some of their 13 children at their home in California, starving them and providing only a minimal education.
They were sentenced to life in prison with the possibility of parole after 25 years. The couple were arrested in 2018 after their 17-year-old daughter escaped from the home and called 911.
💔 STELLA PARTON BREAKS HER SILENCE — What She Said About Dolly’s Health Has Fans Looking Back
Dolly Parton’s Sister Breaks Silence What Really Happened - GMT - G1
Stella Parton was born May 4, 1949, the sixth of twelve children raised by Robert Lee and Avie Lee Parton in Sevierville, Tennessee — a household defined by noise, limited money, and almost no privacy, the kind of environment that produced strong, determined personalities.
Stella was one of them.
By seven, she was appearing alongside her older sister Dolly on a Knoxville television program; by her teens, she was writing her own songs, though marriage and motherhood pulled music to the margins of her life for a stretch.
The dream never fully disappeared.
In 1967, she recorded a gospel album with her mother and sisters, and later worked clubs in Washington, D.C., before founding her own record label in 1975 and releasing “I Want to Hold You in My Dreams Tonight,” which climbed to number nine on the country charts.
Long before any of that commercial success, Stella had already shown a willingness to take positions others avoided.
At 26, amid backlash against Australian singer Olivia Newton-John for winning recognition in country music, Stella recorded “Ode to Olivia” in her defense — a stand that offered her no career benefit and real risk of criticism, but one she took anyway simply because she believed staying silent was the wrong choice.
That instinct defined the rest of her career: hits like “The Danger of a Stranger” and “Steady as the Rain” (written by Dolly) built a genuine, independent following, including in the U.K., while Stella also worked in New York theater and spoke openly, often controversially, about poverty, domestic violence, and the treatment of women in the music industry.
She was named the Christian Country Music Association’s Female Vocalist of the Year in 2004.
Through all of it, she remained defined publicly, more often than not, as simply “Dolly’s little sister” — a label she spent five decades quietly proving didn’t tell the full story.
That same directness is why her comments in the fall of 2025 carried real weight.
Stella had never positioned herself as the family’s image manager or spokesperson; she was, by reputation, someone who believed difficult truths shouldn’t stay hidden indefinitely.
What she described wasn’t dramatic or accusatory — it was a portrait of a woman who had spent years prioritizing everyone else’s needs over her own.
The context mattered.
Carl Dean, Dolly’s husband of nearly sixty years, died in March 2025 at 82, after a long illness during which Dolly had devoted herself almost entirely to his care.
She later acknowledged that in the process, she’d neglected her own health significantly.
The loss reverberated through the whole extended family — the Partons had lost three brothers in the years surrounding this period, compounding grief that, for a family that had once crowded twelve children into a single small home, meant losing pieces of a shared childhood one after another.
Stella herself went seven years without releasing new music during this stretch, later describing the period simply as one shaped by sorrow, while still speaking about the importance of finding moments of laughter within it.
Looking back, one moment reads very differently in hindsight than it did at the time: in late September 2025, Dolly postponed her planned Las Vegas residency, citing health challenges — a rare cancellation for a performer whose six-decade career had included very few of them.
At the time, most fans treated it as a minor, temporary setback.
Stella’s later reflections suggested the signs had actually been building for some time, visible to family in ways the public smile made easy to miss.
That concern crystallized publicly not long after, when Dolly’s younger sister Frieda posted a simple request on Facebook asking fans to pray for Dolly.
What looked at first like an ordinary, well-meaning gesture spread rapidly, sparking widespread speculation about how serious Dolly’s condition actually was.
Dolly herself responded directly within days, appearing in a video from a Grand Ole Opry commercial shoot, insisting with her familiar humor that she wasn’t finished yet — the now widely remembered “I ain’t dead yet” moment that briefly quieted public concern.
In the months that followed, the pattern repeated: reassuring updates about kidney stones, dehydration, and treatment, paired with continued work on new projects, right up until Dolly Parton’s death on August 25, 2026, at 80.
Looking back across that full timeline — the postponed residency, the family’s public worry, Stella’s own account of a sister who consistently deprioritized her own wellbeing — it becomes easier to see what the people closest to Dolly understood well before the rest of the world did: that the warmth and resilience the public saw every time she appeared on camera came at a real, largely invisible cost.
