Chilling 911 Call Revealed: Influencer’s Final Screams Captured Moments Before Police Say Her Husband Fatally Sh0t Her—after She Publicly Accused Him Online
An influencer who was killed by her estranged husband was heard ‘screaming and crying’ on a 911 call just moments before they were both found ᴅᴇᴀᴅ by police, according to a new report.
Sara Gilson, 43, was fatally sH๏τ by her husband, Jeremiah ‘Shawn’ Duffey, 47, after he broke into her home in Owᴀsso, Oklahoma on Thursday, the police said.
The horrific murder-sᩚuᩚiᩚcide took place just days after Gilson shared a video of her taking part in the ‘Netflix documentary’ trend in which users pretend to sit down for a tell-all interview about lighthearted and serious topics.
In Gilson’s post, she decided to out Duffey, writing: ‘Preparing for when Netflix drops a documentary about my soon to be ex husband who I just found out is a pedophile.’ In the caption, the mother-of-two added: ‘I wish I was joking’.
Around 11.15pm on the night of her dєatᩚh, Gilson’s underage son told a 911 dispatcher that ‘his stepfather had sH๏τ his mother,’ KTUL reported.
As he said that, the dispatcher said they heard a woman screaming and weeping. They also recounted hearing a gunsH๏τ during the phone call, the outlet stated.
Gilson had recently filed a protective order against Duffey and was in court last month explaining to a judge why she wanted it to remain, according to court documents reviewed by The Oklahoman.
An unidentified woman named Duffey in a separate order on the same day, alleging that he was caught kissing and touching her 15-year-old daughter, who is also a player on the youth basketball team he coaches, per the report.
The minor’s mother stated that Duffey was spotted in the act by another coach while he was alone with her child, the protective order stated.
The teenage girl also told her mother that Duffey had been sending her inappropriate messages and that he also invited her to his H๏τel room during a tournament trip, where he offered to give her money ‘to keep her quiet,’ the report said.
The girl’s mother also reported the alleged actions to the Owᴀsso Police Department, according to the outlet. It is unclear if he was the subject of an investigation before his dєatᩚh.
Duffey was never arrested for the alleged incident or charged with any crime.
Gilson’s protective order also mentioned those allegations against her estranged partner, and that he ‘proceeded to threaten sᩚuᩚiᩚcide and went on the run’ while armed with a firearm, the report detailed.
According to the outlet, Gilson filed for two protective orders against Duffey in 2021, but they were dismissed after she failed to appear at a hearing.
In Gilson’s most recent protective order, a judge ordered Duffey out of their home and ordered him to stay at least 100 yards away from her, according to People.
The protective order was then extended on June 23, through August 24.
Gilson had filed a protective order against Duffey in June. An unidentified woman named Duffey in a separate order on the same day, alleging that he was caught kissing and touching her 15-year-old daughter, who is also a player on the youth basketball team he coaches, per the report
After Gilson shared her pointed TikTok exposing her husband’s alleged crimes, she posted two more videos to her page alluding to her ordeal before she was killed.
In one video, she showed herself with a friend on a boat, captioned: ‘Everyone talks about romantic love, but no one talks about how female friendships literally save your life.’
She then shared another video of herself on a yacht, captioned: ‘May whatever the f*** that was never find me again.’
Days after that final post, Duffey broke into Gilson’s home and sH๏τ her ᴅᴇᴀᴅ before turning the gun on himself, police said.
Duffey’s own TikTok account also included crude clips about his personal life, including one of him coughing with the caption: ‘Ur sick if you like to pull hair and bite.’
In another video, he used the caption: ‘Apparently every girl’s ex was toxic, controlling, and manipulative.’
After Gilson shared her pointed TikTok exposing her husband’s alleged crimes, she posted two more videos to her page alluding to her ordeal before she was killed
A GoFundMe page has since been set up for Gilson’s two children, where her loved ones described her sudden dєatᩚh as ‘unimaginable’.
‘Her sudden and heartbreaking loss has left an entire community grieving, but the greatest loss is felt by her two precious children, who must now face life without their loving mother,’ the fundraiser read.
‘Her children were the center of her world, and everything she did was for them. She loved them fiercely, worked hard to provide for them, and dreamed of giving them the best life possible.’
As of Sunday afternoon, nearly $27,000 had been raised for the grieving family.
💔 STELLA PARTON BREAKS HER SILENCE — What She Said About Dolly’s Health Has Fans Looking Back
Dolly Parton’s Sister Breaks Silence What Really Happened - GMT - G1
Stella Parton was born May 4, 1949, the sixth of twelve children raised by Robert Lee and Avie Lee Parton in Sevierville, Tennessee — a household defined by noise, limited money, and almost no privacy, the kind of environment that produced strong, determined personalities.
Stella was one of them.
By seven, she was appearing alongside her older sister Dolly on a Knoxville television program; by her teens, she was writing her own songs, though marriage and motherhood pulled music to the margins of her life for a stretch.
The dream never fully disappeared.
In 1967, she recorded a gospel album with her mother and sisters, and later worked clubs in Washington, D.C., before founding her own record label in 1975 and releasing “I Want to Hold You in My Dreams Tonight,” which climbed to number nine on the country charts.
Long before any of that commercial success, Stella had already shown a willingness to take positions others avoided.
At 26, amid backlash against Australian singer Olivia Newton-John for winning recognition in country music, Stella recorded “Ode to Olivia” in her defense — a stand that offered her no career benefit and real risk of criticism, but one she took anyway simply because she believed staying silent was the wrong choice.
That instinct defined the rest of her career: hits like “The Danger of a Stranger” and “Steady as the Rain” (written by Dolly) built a genuine, independent following, including in the U.K., while Stella also worked in New York theater and spoke openly, often controversially, about poverty, domestic violence, and the treatment of women in the music industry.
She was named the Christian Country Music Association’s Female Vocalist of the Year in 2004.
Through all of it, she remained defined publicly, more often than not, as simply “Dolly’s little sister” — a label she spent five decades quietly proving didn’t tell the full story.
That same directness is why her comments in the fall of 2025 carried real weight.
Stella had never positioned herself as the family’s image manager or spokesperson; she was, by reputation, someone who believed difficult truths shouldn’t stay hidden indefinitely.
What she described wasn’t dramatic or accusatory — it was a portrait of a woman who had spent years prioritizing everyone else’s needs over her own.
The context mattered.
Carl Dean, Dolly’s husband of nearly sixty years, died in March 2025 at 82, after a long illness during which Dolly had devoted herself almost entirely to his care.
She later acknowledged that in the process, she’d neglected her own health significantly.
The loss reverberated through the whole extended family — the Partons had lost three brothers in the years surrounding this period, compounding grief that, for a family that had once crowded twelve children into a single small home, meant losing pieces of a shared childhood one after another.
Stella herself went seven years without releasing new music during this stretch, later describing the period simply as one shaped by sorrow, while still speaking about the importance of finding moments of laughter within it.
Looking back, one moment reads very differently in hindsight than it did at the time: in late September 2025, Dolly postponed her planned Las Vegas residency, citing health challenges — a rare cancellation for a performer whose six-decade career had included very few of them.
At the time, most fans treated it as a minor, temporary setback.
Stella’s later reflections suggested the signs had actually been building for some time, visible to family in ways the public smile made easy to miss.
That concern crystallized publicly not long after, when Dolly’s younger sister Frieda posted a simple request on Facebook asking fans to pray for Dolly.
What looked at first like an ordinary, well-meaning gesture spread rapidly, sparking widespread speculation about how serious Dolly’s condition actually was.
Dolly herself responded directly within days, appearing in a video from a Grand Ole Opry commercial shoot, insisting with her familiar humor that she wasn’t finished yet — the now widely remembered “I ain’t dead yet” moment that briefly quieted public concern.
In the months that followed, the pattern repeated: reassuring updates about kidney stones, dehydration, and treatment, paired with continued work on new projects, right up until Dolly Parton’s death on August 25, 2026, at 80.
Looking back across that full timeline — the postponed residency, the family’s public worry, Stella’s own account of a sister who consistently deprioritized her own wellbeing — it becomes easier to see what the people closest to Dolly understood well before the rest of the world did: that the warmth and resilience the public saw every time she appeared on camera came at a real, largely invisible cost.
